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News Flash: I know I am a gay man.

I am beginning to find tick, tick…BOOM! to wear on my patience. I just am having trouble wrapping my head around it. I also feel like we are so behind compared to the other shows. I understand that we have more aspects to deal with, but it can really be difficult to deal with. This character is also very hard for me, and it doesn’t help when everytime I am working with someone they are constantly reminding that I need to be more straight. Like I don’t know. I mean come on, the character is male and has a girlfriend, and there is no surprise twist, so yes I know he is a heterosexual. I am constantly afraid all the time that I am coming off to gay on stage. It is not news to me, but it is something that I am working on. Why do my fellow actors and directors feel the need to tell me this? Do they think that I don’t know that I am homosexual, and that in order to be straight I have to change some of my mannerisms? It is hard to work in that kind of environment. Trying to develop a character is hard work and when every 30 seconds you are being torn out of that world by a snide comment about my sexuality. You would think that in a business that is always being associated with homosexuals that these people would know how to interact with them.

I also feel like I don’t know what the director wants for the character. The show is about Jonathan Larson’s life. Who is this man? Is it in fact Jonathan Larson or is he merely an inspiration? When researching the show I discovered that it was originally his one man monologue that was later adapted into a three person full scale musical. If the original purpose for the show was an outlet for him to share his personal frustrations about his lackluster career that just didn’t seem like it was going to go anywhere, then why wouldn’t I try to represent him to as closely as I can. I also feel like we missed an important step that I have become so used to by working on the two main stage show I have been in. Usually, there is a small character discussion between the cast and the director to delve into the world of these people we are portraying and together guide each other through the process of bringing these people to life. I feel like this conversation would be incredibly valuable to me. It may sound ridiculous, but I recognize that I am still a young actor and I need some guidance. I think it is a conversation worth having, especially after hearing a fellow actor remark about not knowing their character at all. I think it would help make this show a really great experience for us all.

Such a cluttered little mind…

So I realized that I haven’t really even talked about tick, tick…BOOM! in my blog yet. I have still not managed to find the time to finish Anthony Rapp’s book, but I am so looking forward to do so. Looking at my planner today, I saw how ridiculous my life is going to be finishing up this semester, and then from there it is on into the working world for the summer.

tick, tick…BOOM! has begun as a slow process, but I think things are very quickly going to begin to start falling into place. We have been kind of chugging along working on the music, but it is a little slow. I sometimes find it difficult because I am so familiar with the music of the show and my other cast mates are not. No fault of their own, I have just been living with this music since my sophomore year of high school. Working on Forever Plaid I got a good taste of some truly difficult music, and I was convinced I wouldn’t see anything like it with this show, but listening to some of the harmonies that other members of the cast have, good God! I don’t know if any of that made sense. I think this process may be rewarding for me because I have never actually gotten to work on a modern musical from the last decade. The music is completely different from anything I am used to singing. I have probably the largest speaking role ever with this show. Jonathan (my character) never shuts up. I am a little worried about the memorization aspect. This is truly all new territory for me.

My questioning of my profession is still plaguing me a little. With the announcement of our next season just passed, I am excited about the prospect of designing by myself for the first time on the mainstage, but I am also equally excited about the musical next year and possibly being in it. Is it normal for a person to be equally excited about two very different aspects of one business? What do I do with myself? Sooner or later I am going to be forced to choose one or the other. Next year is going to be really interesting.

Love’s Labour’s Lost (part deux)

I finally finished reading the blasted Shakespeare play. It almost killed me. Ok, not really, but it took forever. It was soooo easy to get distracted. I found that I would much rather watch T.V. or play on the computer. Today, I was reading Gregg Stull’s blog, and he had made a post about a book he had read about ways of making learning more engaging for the video game generation. I find that I myself am a victim of this. Instead of reading I would much rather be playing with the many types of media available to me. I love Shakespeare. So why was it so hard for me to read this one play? I know I had some anxieties about it before I started, but once I got in the swing of things it should have been easy. As I sit here thinking about it, I am a little upset at myself for allowing myself to become so distracted. I enjoy reading. I started a little late with the whole “reading for fun, regularly” thing, but I think I am doing alright now. I wonder if my bibliophile friends find themselves in this same predicament or if maybe it is because I am a “newbie.”

Love’s Labour’s Lost

So I decided tonight that I was finally going to tackle the Love’s Labour’s Lost reading. It is quite the labor, no pun intended. I sit here two hours later after many distractions on page 38 of 84. I am not even at the designated intermission point. This is going to be a hard show for me to deal with. I just need to get pumped about it. As I read I can see myself getting excited as an actor. Of course, I would. It’s Shakespeare, for Christ’s sake. But as a designer, I don’t know what to do with myself. I am getting the work done, that is not the problem. I am just moving very slowly. It is Shakespeare. You can’t do much with Shakespeare lighting wise, at least not with this particular play. i do have a little list of questions for the director. She mentioned wanting a progression of the day shown in the lighting. Where does she see the time changes occuring? Neither the dialogue or the very few stage directions give any indication of that. Also, when is the scrim going to be in, and when isn’t it? Well I better get back to it. Maybe, by the end I will have developed a small affection for the script. Wish me luck!

You Passed 8th Grade Math
Congratulations, you got 9/10 correct!

Could You Pass 8th Grade Math?

So…yeah

Well I know that Forever Plaid is over with, but I wanted to share this with everyone because it makes me happy inside.  It is our radio spot for the show. Jon Reynolds, I think definitely has a future in voice-overs.

Radio Spot 

Spring Break, not so much a break

So I am constantly finding myself becoming so jealous of the kids in the “Ideas in Performance” class. Their blogs are filled with these amazing experiences of their week, and they only just got to NYC yesterday. I am so hoping that Gregg teaches the class again when I am a senior. If not, I may just have to do my own practicum week for Spring Break myself. I think it would be just an excellent experience.

Like these kids, I am not getting much of a break. I have spent the majority of my time sitting with a book in hand for either research or for class. It is frustrating to think that my work load is never-ending. I just want to be able to relax for once, and this semester has not allowed that to happen at all. I am sitting here working on reading for Theatre Management. I have read this information before, but I want to do it again and take notes for the mid-term exam next week. I can’t wait for their return, and to hear all of the fabulous stories they will have to tell outside of what is on their blogs.

It is time for me to go back to work. :-(

tick, tick…BOOM! 

without you
As I expressed in my blog last night, I am really excited about working on tick, tick…BOOM! After watching the documentary about the life of Jonathan Larson and RENT’s journey to production, I became even more excited. Today I went out and purchased Anthony Rapp’s book, without you. I am hoping that this gives me a good look at Jonathan Larson’s life as he was in the final stages of trying to get his baby produced. I will post more as I read more.

My current work…

So it occured to me that I have not yet blogged about my current projects.  I am currently working on developing my character (Jon) for tick, tick…BOOM!  It is an exciting opportunity for me because I have not ever gotten to do a show with contemporary music like this or with such a real story.  The life of Jonathan Larson is one that is so interesting.  I am excitied to research his life and to research a period that actually occured in my life.  I was watching the documentary included in the RENT dvd and so much of what I have read in the show was so real to him.  I had no idea that the show was actually a monologue performed by him originally in response to his not getting his musical “Superbia” produced.  It was his cry out wondering why his life was not going as planned and it deals with his fear of never achieving the dreams and goals he had set for himself.  It is such an amazing journey and I am looking forward to doing it.
I am also working as the Asst. Lighting Designer for the department’s production of Love’s Labour’s Lost.  It is a project that I am just having the problem of getting my head into the project.  I usually love Shakespeare, but no one that I have talked to about the script has had anything good to say.  It is just sooo hard to get excited about this show.  I hope that maybe just some me time with the script may changed that.  I need to do my readings and plan out some ideas for cueing, colors, textures, etc.  We shall see how this week makes the show sit with me.

The Bullet dodged the bullet…

To follow up on the post about the article in the Bullet concerning Forever Plaid, the editor of their Scene section sent out an apology for the article. The journalist has also been removed from the staff and brought up on Honor Code violation charges.

Here is the text of the e-mail sent to us:

To everyone involved in “Forever Plaid,”
I can not apologize enough for the article in last weeks Bullet concerning your play. It came to my attention after the article had been published that the writer did not in fact attend your production. This blatant disrespect for not only the theatre department and The Bullet, but also the honor code is unacceptable. The Bullet has a zero tolerance polich when it comes to this sort of behavior and the writer has been removed from the staff and is no longer doing any work for the paper.
Tomorrow’s paper will contain a correction box on page two with a public apology for the article and the writer’s actions, thus declaring our error to the community. I can only hope that this one writer’s actions will not hurt the relationship between the theatre department and The Bullet, as I hope to accurately cover your productions in the future.
Thank you for your time,
Zach Bowman
Scene Editor
Mary Washington Bullet

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